Monday, 6 October 2014

DJ's Wanted

Along with the tourists who flood to the island there are thousands of experienced and wannabe DJ’s who perform at just about every bar and restaurant. For a long time there has been something of a running complaint amongst resident DJ’s that many of the newcomers haven’t the faintest idea how to entertain in sun-drenched daytime hangouts. In fact it seems as though many of them are merely playing their full on night time sets, to musically bludgeoned diners, in the hope that they are going to be discovered and launched into a mega career as club DJ’s. Instead of which, some of them will spend the whole summer playing for very little, if any, money just for the thrill of ‘living the dream’.

At the other end of the scale there are the large corporate venues, some coming from successful ventures in other European countries, who are now looking to grab a slice of the summer season action. Admittedly they do not tolerate such wanton abandon with the musical menu but it seems to me that in many cases, they are just providing a bland filler which ticks the box of ‘resident DJ’. In one venue I played, the preceding DJ informed me that the rule was that we were not to play anything above 115bpm during the afternoon set. Then even before I had played my first track the assistant manager came over to proudly demonstrate his understanding of DJ techniques by repeating nugget of esoteric doctrine. 

I understand the rationale that if you limit the DJ’s to a certain bpm then it will keep the atmosphere chilled but in reality many of the most sublime and blissful Balearic tracks come in at much higher bpm and the real challenge is to find DJ’s who know what they are doing and trust their judgement. This of  course requires musical judgement by the management and in truth they have more on their mind and so, for some venues, the hiring of DJ’s is just another post to be filled along with getting a decent washer up for the kitchen.

The other end of the corporate music culture is to be witnessed in many of the new wealthy visitors. I was playing a chilled set round a hotel pool the other day when towards the end a group of around eight residents appeared all dressed up for their night ahead. One of the things that has always impressed me with the island is that it is non-ageist and it wasn’t just the age of these guests which I noted rather their demeanour and fashion sense. I felt confident that back in the UK their regular hangs outs would not have been rave clubs but more likely the local golf club or even Conservative club. So, where were this crew going for the night? Why to Ushuaia Hotel, one of the islands more full on and expensive venues. 

As they walked off towards their cabs I noted to a friend that they were going to absolutely hate it and would no doubt find themselves shelling out several hundred pounds during the evening and returning home lighter of wallet but full of tales of what an appalling night of cacophony they had to endure and how they were forced to pay exorbitant prices for drinks and food. The owners of Ushuaia aren’t too bothered though as, while this group might not visit their establishment again, there are many more to keen to buy into the ‘Ibiza experience’. 

I am now starting to wonder where some of these Ibiza venues are advertising. Are they placing enticing ads in Saga Magazine, The Lady and Country Life? Probably not but what has happened is that Middle England has been introduced to the delights of Ibiza through the celebrity columns of the Daily Mail and everyone wants a bit of the dream.

Lest I sound rather jaded in my comments I would add that the island continues to delight and entertain. Its spirit draws to it many open minded creative individuals and I am continually surprised how many DJ’s can produce sets which feature track after track of new tunes to my ears which, given the amount of time I personally put into listening to new music, is always a surprise and delight.


One of my fellow DJ friends here is MOC Paoli (to my mind a much under appreciated local treasure) who has long been resident DJ and responsible for much of the ambience of the exotic Bambuddha Grove. Paoli dates back to the Goa Trance scene of the early 70's and in fact is credited as being one of the people who helped to develop this particular genre of music. Noting that the early 70's was way before the dance scene kicked off in Europe and before sampling machines had even been imagined, I asked him how it came about. He remarked that at the time it was not uncommon for acid beach parties to take place in Goa with up to 700 people in attendance. DJing at these precursors of the rave scene he had noted that with so many people crammed together, many of whom were experiencing extreme LSD hallucinations, playing tracks with too many prominent and possibly ambiguous vocals tended to 'mess with peoples heads'. 

He explained how he and a few fellow DJ's got together with two tape decks and set about creating their own rough edits. This largely consisted of recording the intro to a track, pausing the record machine, rewinding the player and playing and recording the intro again. This might be repeated several times before winding on the track past the vocals to the instrumental break. This would again be looped several times. This simple formula formed the basis of a style of music which would eventually grow to maturity some years later when the first sampling machines became available and Goa Trance joined with music which had been similarly engineered in other parts of the world to form one of the many strands that would become dance music.

We have often joked about Paoli's ability to ‘DJ blind’, that is to mix tracks without using the headphones by cleverly and quickly manipulating the EQing of each track, blending them together using the house PA system. Standing by him the other night I was asking him about some of the tracks he was playing. I know that until recently he didn’t have internet in his house so was dependent on sitting in cafes with his laptop to download new tracks. I joked that he must have sat for hours with his headphones on before downloading the new tracks and he remarked that he often downloads them without listening because he knows their lineage and is reasonably confident of what to expect. So, maybe he is the DJ equivalent of The Who’s character, 'That deaf dumb and blind kid’ who played a mean pinball. 

All praise to Paoli who can downloads tracks he has never even heard, and mixes them with no preparation (and without using headphones) to create an endlessly entertaining set full of musical gems!

For my part here is a one of my recent mixes:

Balearic Spring Part 1

Balearic Spring Part 2